If the IDT is close to what a Rec 709 recording would yield of a chart then it has returned the footage to what Panasonic intended, with the benefit of more DR and the normalization of the ACES workflow. I think Most test further up is the proper proof. You may not prefer the result of the IDT, that doesn't make it wrong or broken. It's not meant to bring the footage to your preferred feel such as some film emulation LUTs do. It should look identical to a recording in Rec709 imported with the Rec709 IDT. The IDT serves a technical purpose in the ACES framework to be an exact reverse to an operation applied in camera and is supposed to return the footage into the state the camera manufacturer intended, but inside the ACES color space and gamut that normalizes the workflow for mixed cameras. That toggles between plain log view and LUT, so you can easily turn on and off your False Color mode, even while recording.I believe you have to separate the IDT from artistic taste.
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